The Fox and the Cat

The art "business" has been pretty slow lately. Part of the lack of foot traffic to my studio may be the economy, or the sad fact that two major "draws" moved to spaces in the main shopping building.

But once in a while, I get a visitor or so. A talkative man, named Joe, stopped by with his two granddaughters. While the granddaughters looked at my work, he told me an interesting story about his cat and a fox. His cat is a big, black hunter, and regularly kills small animals. They have a fox who frequents their yard, so there aren't many little critters running around.

One day recently, the fox and cat had an encounter. The fox walked confidently towards the cat. Instead of fleeing, the big feline started to charge the fox! The fox turned tail and ran.

The next night, Joe got up because he heard some noise outside. Looking outside he saw the fox and cat sitting near each other, looking in opposite directions. It seemed that they were hunting together! He could not believe his eyes, and woke up his girlfriend to take a look. I guess he wanted a witness, because it was such an unusual site. He watched for a while, and went back to bed.

He told the story much better than I ever could. But I thought it was worth sharing. I have the privilege of meeting a lot of interesting people. And Joe made my day.

Slowing Down

Greetings to all,

My husband and I recently returned from a trip to Peaks island, off the coast of Maine. Ferry boats run about every hour, taking tourists and commuters to this little gem out in Casco Bay.

After just a few hours, I understood why people live on and visit the island. its charm is only surpassed by its beauty. The rock formations, and waves cresting on its ocean shores are a sight to behold. Bikes are a common mode of transportation, and we joined the small groups that were biking around the island. Stopping at several places to take photos, we drank in the sights. (Photos from the trip may be found on my Facebook page.) We also went sailing, in the slowest boat on Peaks Island! But it was relaxing and fun.

Our three day trip seemed like a week, as we read at night - no TV in the cottage. It reminded me to slow down, and enjoy what this life has to offer. I have lots of potential paintings in my photos, and looking at them will be a reminder to slow down. Life doesn't have to be a rat race. We can plod along from time to time, and just enjoy the view.

Artfully yours,

Cathy Harville

Ten Things I am Grateful for as an Artist

Ten things I am grateful for as an artist (in no particular order):

1. I have supportive family and friends;

2. I have the financial resources to cover my expenses;

3. I have a great network of artist friends;

4. I have a rare opportunity to enjoy nature up close with boating and kayaking;

5. I have the time to create;

6. I have my own studio space in public area;

7. I meet lots of great people while at my studio;

8. I enjoy working from photos (it is kind of difficult painting from a kayak);

9. I have good health, and

10. I don't have to make money and support myself!

Artfully yours,

Cathy Harville

Art Therapy

Greetings to all,

As most of you know, I am trying to manage a brain disorder. (If you didn't know, I guess I am coming out of the closet!) Yesterday, I went to a KIFA (Kent Island Federation of Art) meeting. The members there were very nice, and it was a pleasant time.

I knew that there would be a demo at the KIFA meeting. What I didn't know was that we could participate by painting a vase of flowers on this wild, Yupo paper with watercolors. As I followed some preliminary instructions, I dabbed my brush into the juicy watercolor, and started to paint. Within a few minutes, it seemed like art therapy I had in a few of my hospitalizations. I giggled to myself as I played with abandon.

Distraction and keeping busy are powerful tools when managing a brain disorder. By distracting myself, and keeping busy, I am able to push the uncomfortable symptoms to the background, often forgetting about how bad I feel for a while. Movies are also great distractions. With the big screen, it is almost guaranteed that you will have a few hours of peace.

While my art effort at the meeting will not win any awards, I saved it as a reminder of the power of distraction and play in coping with bipolar disorder. Whenever I feel unable to cope, I need to find some busy play, to distract myself. While this cognitive therapy is not always easy, it is effective.

I also learned that my current artist block is penetrable. All I need to do is play, experiment, and have some fun, as well as be patient - for this too, shall pass.

Artfully yours,

Cathy Harville

PS - The attached jpeg is "Cooling Off", 8"X10" pastel by yours truly. (I didn't wan't to post the yupo flower picture just yet - the vase is a little cockeyed, and needs a bit of attention.)

Knowing When to Stop and Start

From my personal experience, being an artist is all about starting and stopping. The creative urge is rather unpredictable. For months, I can be on a creative rampage, with long, non-stop sessions of painting and creating. Then, it is as if a famine strikes, or a drought. I sit down, and 15 minutes later, it is time to stop.

I have been going through a blocked period for about two months now. At first, it was scary, as I questioned whether I would be able to complete another painting. Evidence shows that yes, I have finished several paintings, even during this "dry" spell, although not as many as I had several months ago.

Later, it just became annoying, to sit down, and with the concentration of a fruit fly, try to complete any portion of a painting. I was learning that it is important to know when to stop. Creatvity cannot be forced. I read recently that Leonardo DaVinci often just sat for hours, just thinking and reflecting. (It used to drive his patrons crazy.) Picasso went through a period of changing mediums daily, and even made prints of fishbones left from dinner.

I learned that every artist goes through changes in creativeness, and, while frightening, it is a natural process. Lately, I feel like I have painted every reference photo I have. While this is not true, it feels true, at the time. But one look in my reference photo drawer shows me otherwise!

I have learned that being an artist is not a 9-5 proposition. We are not trained dolphins that can create on demand. There has to be passion present, and a strong desire to create. And all of this has to be in time with my inner muse, who, some days it seems, doesn't want to paint anything.

And that is okay. Being a full time artist doesn't mean painting full time. It just means spending your time "being" an artist. I am an artist when I make greeting cards, take a nap, or go kayaking. I am an artist all the time, no matter what I happen to be doing at a given moment.

So as I struggle with this block, I am mindful to be kind to myself, and realize that even the great Leonardo DaVinci has times of creative despair. It is hard to believe, but on his deathbed, DaVinci lamented over unfinished projects. I expect that I shall do the same!

Artfully yours,

Cathy Harville

Back to Pastels

My muse has been prodding me to start painting in pastels again. So I listened. (I have posted a new pastel painting for your viewing pleasure.) "Topsail Sunset II" reminds me why I love that little island, and why I love to paint.

The economy has not slowed down the making of art among artists. I find this time valuable to build a body of work, as I explore other avenues for my work. In October, I am going to exhibit a body of work called "At Water's Edge". The coastal areas are a favorite theme of mine. I just love how the land and water interact, and how the environment changes the lighting and atmosphere.

I am still struggling with a block. This is the first time I have been blocked in two years. Last time it happened, I ended up in the psychiatric hospital with a severe bipolar episode. The block may have been caused by the mood swing. In this current block, my mood is once again unstable. So I am working on my coping skills, and doing mickey mouse work to stay busy.

I have joined another art league, and have booked a restaurant and coffee shop to show my work in 2011. As I venture out to new venues, I find my muse is pleased, and the dreaded block is occasionally lifting. I just have to wait it out. There is no other way around it!

Artfully yours,

Cathy Harville

The Economy and Art

Greetings to all,

The economy has hit everyone so hard. As a result of the lack of jobs, pay cuts, and lay offs, people are reluctant to buy artwork. This is totally understandable! After all, you cannot eat, wear, or sleep under art. Here is my take on the economy and art sales.

But I continue to paint, nonetheless. For me, making art is an essential part of my being. Without the luxury I have to make art, I would lose a part of my being.

So, I continue to build my body of work during these hard times. Perhaps I will approach a gallery. Perhaps not. But building my body of work is actually a blessing in disguise. Having more work for future clients to choose from is important.

I have taken a bold move to have a buy two, get one free sale for prints and greeting cards. I debated whether or not to do this, since I have been taught not to discount art. I will not compromise the pricing of original art, but since prints and cards are not original work, I feel comfortable with my summer sale.

Do consider art for gifts - espcially now! When so many people are scrimping and saving, a gift of art is, indeed, a luxury to bestow upon a friend. And for the cost of a nice dinner out for two, you can purchase one of my original pieces of art.

Thank you for your continued support, and many wishes for better times ahead!

Cathy Harville, nature artist

Finished or Not

Greetings to all,

Yesterday I posted this painting, titled "Sailing Club", on Facebook. I asked readers to judge whether it was "finished" or not, feeling like I needed to add detail to the foreground water. One brave soul piped up and suggested that the addition of more detail to the water would be exciting. Bravo!

So today, I will take it back to my studio and "finish" it. Finishing a painting is an arbitrary thing. Only the artist knows if a painting is finished or not. Sometimes, as in this case, the artist is not even sure!

Thinking about it, many things in life require finishing. But most of those have a definite end point. You pretty much know when a house is clean, or when the grass is cut. With soem things, as in grass cutting, you can see when you are finished.

Not so with art, and creative endeavors. You can always add a bit here and there. Sometimes, artists try to make their medium do too much. Sometimes, we fall short. Have you ever gone to a movie, and thought it was the end, only to have it go on? Or the opposite - the ending left you wanting more?

Perhaps some things never really get finished. Perhaps that is why artists paint a single scene many times. There is always something new to paint every time you look at a subject with fresh eyes. New focal points or backgrounds appear on the canvas. Sometimes, the color scheme changes dramatically.

The finishing continuum is what makes an action creative. We creatively pick a point to stop, and allow the world to see it. Beauty is in the eye of the beholder indeed.

Artfully yours,

Cathy Harville

Paralysis by Analysis

Every once in a while, I think too much. When I think too much, I cannot be fully present in the moment. And when an artist is not present in the moment, art just does not happen.

Lately I am suffering from paralysis by analysis. Before I start to paint, I find myself planning the painting, I envision how I want it to look, instead of just trusting that my brush will find its way. When I practice excessive planning in my art, nothing goes according to plan!

Part of the problem may be related to my recent bout with ADD. Not being able to concentrate, I find I actually overcompensate by thinking too much about painting.

So today, I plan to reverse that trend, and just endeavor to stay in the moment. Things happen in life moment by moment. And paintings happen in just this one little moment in the present.

Silly Stuff

Being an artist means putting up with some silly stuff. Below is a list of things that are just plain silly!

1. Having to paint the whole sky again because I smeared green paint (meant for a palm tree) into the beautiful blue.

2. Not having the one image on a card that a customer wanted to buy,

3. Realizing I framed a picture upside down.

4. People thinking the photos on my cards are original art. (I wish!)

5. Children who scream bloody murder when their parents begin them in to watch me paint. (How embarrassing for those poor parents, but I find it pretty funny!)

6. People that say I don't charge enough for my work, and don't buy anything. (I just don't get it!)

7. Forgetting to photograph my work before I frame it.

8. The lousy economy - resulting in people feeling like they don't need art.

9. Not getting into shows with art leagues I belong to.

10. Getting into shows, but not selling anything.

11. Selling work at a 50/50 charity event, and not getting paid.

12. Forgetting to give customers my card and marketing materials.

13. Not being able to read the writing of clients when they sign my guest book.

And finally -

14. Forgetting to sign a painting before I photograph it!

There are many other silly things that go on, but above are the highlights.

Artfully yours,

Cathy

Sunset Grasses

Attached is a wild waterscape that I completed recently, titled "Returning". The sun was setting as we returned from a day on the water. The grasses captured the colors of the setting sun, creating a display of color that just amazed me. The painting has a second name, "Grass Sunset".

To paint the tall grasses, I used a plastic pizza cutter. I just rolled the pizza cutter in a pan of paint, so it was coated all the way around. The results were very gratifying!

I often paint with odd things - my fingers, paper towels, and more traditionally, palette knives. Yes, I do use brushes, but I love to paint with my fingers. Clouds are especially easy to paint with my digits!

Sometimes a painting will paint itself - others are like hard labor. The ease of completing a painting really depends on two things - how well I "know" the subject, and how large the painting is. I seem to get stuck on larger paintings, probably because there are more problems to work out. Smaller paintings have less detail, and seem to go more smoothly.

I am working to get my completion rate up from about 30% to nearer to 70%. I think I need to put more thought into the process, and allow my brain to solve problems while I sleep. It always seems to help when I approach a half finished painting after a good night's sleep.

Then, there are gems like "Returning". With the goal clear in my mind, and the pizza cutter trick, this painting almost painted itself! Such gems are rare, and much appreciated.

Artfully yours,

Cathy Harville

www.harvilleart.com

Creative Famines

I am going through some changes to my meds, which is causing a "creative famine". Actually, I have no trouble with planning the creative process, just in the execution.

My mind and body are not cooperating - I am wired and tired, and my focus is almost non-existent. I think I know why, but it is scary to think that a drug can have so much effect on one's productivity.

The reason I am changing meds, is because of side effects - body jerking at night before I get to sleep. While not dangerous, the body jerks make it impossible to get to sleep. Over time, there is the possibility that they will become permanent.

All of this is contributing to a lack of concentration for almost any activity. I can do laundry, but that is about it! Painting has become difficult, since without concentration, I cannot stick working on a painting. Even typing this is difficult!

Mental disorders are complicated. And treatment of them is equally complicated. To all of you out there experiencing a mental disorder, my heart goes out to you. I hope you have a good doctor. Hang in there. Science is slowly, but surely, getting some answers to these puzzles.

Artfully yours,

Cathy

Finishing

Yesterday, I talked about discipline. Today, I want to talk about finishing paintings.

It may seem odd to the general public that many paintings go unfinished. A well-known artist I know has about a 20% non-finishing percentage, which means that one in every five paintings he attempts is never completed. My percentage of is quite a bit higher.

Recently, I have learned that I can probably lower that percentage if I completely commit to a painting. The fact is, that I do not finish some paintings because I hit a "block". I am now learning to paint through blocks, and keep pushing forward. Then, as I am learning, the painting will come together.

I have started a new series called "work in progress". As I work on the paintings I have started, which is all two of them, I take photos to show my progress. The in progress photos won't be revealed until I am certain that I am going to finish the piece. Maybe that is cheating, but I like it it is avoiding unneccesary postings.

Maybe that is not such a good idea. Seeing a painting blocked in is not awe-inspiring. I want the viewer to be more involved with my work, and just thought this is a novel idea. My first posting on Facebook did draw any comments, so perhaps my audience is not interested in such a thing.

But taking pictures as I work is providing a push to finish what I have started. And that is a very good thing!

Artfully yours,

Cathy Harville

Discipline

Being an artist, discipline is not one of my stronger suits. While I can be disciplined to finish a painting, I am less disciplined with daily activities.

One area I am going to try to improve upon is posting blogs! It doesn't matter if I don't have a lot to say, but I realize that posting is the backbone of the blog. So, I will try to use my early morning hours to post more blogs more frequently.

Discipline is a learned skill, and one must practice it to get better at it. So, for the next several weeks, I will strive to be more disciplined, and post regularly. And, if my audience wants, they can keep me on track!

An update - I have been rather manic for the past several weeks, and typing has been difficult. Between my doctor and myself, we seem to have gotten the beast under control. What a relief! The mania was not the happy kind. It was like an internal restlessness, and sleep was hard to come by.

I am not using the mania as an excuse, although my typing time was restricted to essential tasks. As I type this, I am still struggling with the hand to eye coordination. I just need to discipline myself, and power through the problems in life.

As we embark on a new week, I challenge everyone to think of an area in their lives that could use more discipline. Perhaps you are already disciplined enough in daily life to be productive and successful. But if not, here is your opportunity to learn a new skill, and get more out of life.

Namaste,

Cathy

Thank you to my Kickstarter Supporters

Thank you to all my Kickstarter™ Project Supporters!

$10 Contributors

· Brandi Chroniger, Owner of “FACES by Brandi” at Historic Savage Mill - treat yourself to a make-up session, a facial, and sample her many natural uplifting skincare products! 301-470-FACE (3223)

· Thomas Teabo, Owner of Angular Surveying and Mapping in Raleigh, NC.

919-819-1724

· Stephanie Yanovitz, Creative Project Facilitator, syanovitz@gmail.com,

215-370-0476

· Eric Sparre, Director of Artspan – a first class, affordable website for

artists of all types! Have complete creative control over your

website look and feel, and e-mail list, and detailed

statistics. Check out www.artspan.com for more information.

· Inge Hyder

$25 Cool Contributors

· Beth Dora Reisberg

· Beth Barany – Creativity Coach, specializing in helping writers get

their books written and published! www.bethbarany.com.

· Bruce Montgomery

· Sara Moran

· George Randall, Owner of GER Lawn Care at gerlawncare@yahoo.com.

George also tutors in mathematics, and can be reached

at 301-335-7870.

· Laurinda Lee, Artist in Residence at Historic Savage Mill, Studio 113 –

leelaurind@aol.com.

· Felton Barner, Photographer and creator of ReImage Galleries –

flbarner@yahoo.com

· Marlena Lazarus

$50 Very Cool Contributors

· Sandra Kerwin

· Jill Kolody

$100 Super Cool Contributors

· Mary Long

· Shirley Teabo

· Sherrie Lazarus

$300 Awesome Contributors

· Teresa Spaid Archer – Principal of Orndorff & Spaid, Inc. - Commercial Roofing and Sheet Metal Company – 301-937-5911

· Brenda Spaid Fowler – Principal of Orndorff & Spaid, Inc. - Commercial Roofing and Sheet Metal Company – 301-937-5911

· Keith Spaid – Principal of Orndorff & Spaid, Inc. - Commercial Roofing

and Sheet Metal Company – 301-937-5911

· Alma Spaid – Wife of past owner of Orndorff & Spaid, Inc. - Commercial Roofing and Sheet Metal Company – 301-937-5911

Thank you to everyone! And a big shout out to Orndorff & Spaid, Inc.!

Summertime = Quiet Time

It has been a busy spring. In addition to a studio show, finishing my book, a Mill event, and a few charity shows, I have been hospitalized for a relapse in bipolar disorder, as well as chest pain (my heart checked out fine!). For a while, it was a rough patch.

Now, with all the shows behind me, I can relax a bit and paint. Boating season offers a respite from the busy Mill weekends. Going out on our boat offers solitude, time to think, and time to rest. While kayaking, compositions spring forth, and my sketch book fills up.

I have been reading a book about "productive obsessing" by Eric Maisel. He is the author of numerous books on the subjects of creativity and the mind, and how we can think ourselves into greatness. Despite the "quiet" of the summer, my mind is working on percolating the next big project. Some candidates include: expanding my book, and finding a less costly route for publishing; filling two beautiful 12x16 frames I acquired this weekend (for a song, from a kind Mill merchant); working big, as in 24X36 size; using rice paper and tissue paper to create some semi-abstract florals; and finally, continuing to experiment with various color palettes.

Obviously, I need some focus! But I have learned that I need to let my mind obsess things into being. So, I remain quiet as I finish a few canvases I have been working on, including the two 12X16's! I write in my art journal daily, and sketch crazy ideas. I play with small canvases, and try new application techniques and mediums. I mess up a lot, but I also learn a lot.

So to those of you who are obsessing, try productive obsessing. It is far more rewarding, non-anxiety producing, and kind of fun, like daydreaming about cool stuff. Let me know what your mind come up with!

Artfully yours,

Cathy Harville

Busy, busy , busy!

Lots going on-

Friday May 14th, 6 Pm to 8 PM - a "Champagne and Chocolate"reception will be held in my Studio at Historic Savage Mill, celebrating "When Land Meets the Sea". Also featured is my friend and guest artist, Suzie Lane-Rose. Open to the public, and free!

Sat and Sun., May 15th and 16th - Mill's Spring Cleaning Event - I plan to have unused art supplies at low prices, and secret sales on select merchandise. I will be open form noon to 4 PM both days.

Sunday, September 26th - "Road to the Arts" - Mill artists will be coordinating open studios, with new work and refreshments.

Please check out my website for new work! www.harvilleart.com.

And, on http://cathy-harville.artistwebsites.com.

My Kickstarter project is fully funded, and donations are still being accepted. I have printed a few copies of my book, "When land Meets the Sea", and it turned out great! (It took me a few hiccups before I found all the editing errors!) Please visit www.kickstarter.com to find out how you can support the arts - search my name to find my video. The book my be previewed on www.blurb.com.

Thanks to all my backers, supporters and friends!

Artfully yours,

Cathy

My New Book May be Previewed on Blurb!

Greetings,

My book is now ready on Blurb for previews and purchases! Blurb is a website for self-publishing. I would be interested in what you think, and I welcome all comments, good, bad and ugly! Since this is my first book, there is no doubt lots of room for improvement.

You can buy the book from Blurb - that would be sweet! But if you fund my project, it will enable me to order a large quantity of books at a discount, to distribute as rewards, and sell at cost in my studio. Plus, they would be hand signed by me, with a sentiment of your choice.

Ultimately, I would like to use the funds from the project to work with a real, live publisher, so my book could be offered to a wider audience, and maybe even sold through book stores. It would have an ISBN number, and a SKU! I plan to meet with a local publisher, and discuss details in the next few weeks.

Of course, none of this will be a reality without your support. I want to thank those who are already backing my project. If the Amazon, online method of pledging is too confusing or time consuming for you to make a pledge, please ask me for help, or write me a check - I won't cash it unless I am fully funded. Even a few dollars will greatly help.

And please spread the word by telling all your friends! If 10 people each told 10 people, that would be 90 new, potential backers. And if half of them donated only $10, that would put me much closer to my goal.

When Land Meets the Sea by A collection of paintings and stories by Cathy Harville |BOOK INFO

Click on the link above to see my book on Blurb!

In life, we all get back far more than we give out. As my mom alway says, what goes around, comes around. If we all help each other, we can accomplish great things.

Thank you, and cheers,

Cathy Harville

Kickstarter Project Update - "When Land Meets the Sea"

First, I want to thank my generous backers, who give me the hope that my project will be fully funded by the deadline. I appreciate all your generosity, and I am humbled by the outpouring of support. Please continue to spread the word!

I am pleased to let you know that I have finished my book, and it is in the hands of my editor. I hope to have it posted on Blurb by mid-April, a self-publishing website that provides publishing services to authors who cannot pay the big bucks for a publishing house. Even so, self-publishing is costly, so your contributions will help make this project happen!

:When Land Meets the Sea" will be a hard cover book with a dust jacket, and 8"X10" page size. The total page count is 50 pages. Almost every page has at least one image of one of my paintings.

I can't wait to reveal it to the world!

Artfully yours,

Cathy Harville

"Autumn's Last Gifts", 10"x16" watercolor on paper, private collection c2006

Potholes

After the major snows we had this winter, the roads are full of potholes. It is to be expected, but, nonetheless, they are annoying. It takes a while for crews to fix them, but the road is just never the same again.

Life is full of potholes - all the challenges, irritations, and burdens that come in all shapes and sizes. This past week, I fell into a major pothole. I had a relapse from bipolar disorder, and landed in the hospital. Now grateful to be home, I find myself reflecting on how to fix that pothole - how to better manage my life with this illness.

First, I want to thank everyone that "came to the rescue" as I am struggling with my latest pothole. It is so much appreciated.

Second, I realized that some things had to change in my life. With any mental illness, ordinary, daily issues can turn into huge monsters. Now, instead of panicking, I can step back and figure out what needs adjusting. I am becoming more assertive, and honest, and I am asking for help.

This relapse also made me realize that we live life in the present - not the past or future. By focusing on the present, life gets easier.

I want to thank everyone who provides support and love for me, not only during times of struggle, but also all year long. Sometimes it takes a village to fix a pothole.

On the mend,

Cathy

Update on my Kickstarter Project!

I am in the middle of compiling my art book, my seascapes, and stories about each painting. I am also appealing to Chesapeake Bay enthusiasts, and hope that you, and everyone out there, will back my project. My hope is that more people will become aware of the plight of the Bay, and learn how important it is to keep our shorelines clean, and as nature intended.!

Click on http://kck.st/ar6pen to see my project (yes, the link is shorter now)!

Or click on the image below:

As you can see, while I am well on my way, I need your support. Every little bit helps! Please spread the word!

Artfully yours,

Cathy Harville

Just Launched my Kickstarter Project!

Greetings,

I am pleased to announce I have just launched my Kickerstarter Project!

Please click on the above link to see a video, my profile, my project details, and all the rewards you can get by being a contributor to my project! If I reach my goal, I will self-publish my book! My goal is to create an awareness of how important the shorelines are, where the land and water meet, creating beautiful and complex, yet fragile ecosystems.

Be the first contributor, and receive special recognition! Thanks in advance for your support!

Artfully yours,

Cathy Harville

Time to Kickstart!

Greetings from snow-covered Maryland! While we wait for another dumping of the white stuff, I have some exciting news brewing in my art world!

Through "Artists' Magazine", I discovered www.kickstarter.com. Wow! In one day, I have put together the project of my dreams - at least for today!

I am going to write and self-publish a book of my artwork, that is titled "When Land Meets the Sea". The premise of the book is to expose the environmental importance of our beautiful and sometimes, mysterious coastlines on the thousands of miles of creeks, rivers, bays and ocean on the East coast. I realized recently that my paintings often depict the places where land and water meet. In these paintings, we find tidal pools, river grasses, waves, and all kinds of things going on -schools of minnows, reflections, ripples, sand erosion, birds fishing in tidal pools - and little girls walking down the beach. Really cool stuff, indeed!

The really great thing about Kickstarter is that it helps artists obtain funds from interested patrons, in exchange for rewards, including interactions with the project. I haven't launched my project yet - there is still time needed for stewing and brewing, and editing. But it will be launched in the next few days, and my blog will be instrumental in getting the word out.

My book will be brimming with my artwork, with stories of each piece, and how each piece contributes to the theme of land meeting the sea. Sometimes the meetings are quiet and peaceful; and sometimes the encounters are wild and loud!

So, as I recover from a nasty fall on the ice from the previous blizzard, and time waiting for the next wave of snow, I have the precious gift of time - time to think, contemplate, and pause - time to consider all the really amazing experiences I have had where the land meets the sea.

Any ideas? I am as open as my book to come. I hope the coming months present us all with our own version of Kickstarter. For the time being, I am so excited, and full of happy anticipation!

Cheers,

Cathy Harville

Exposure

As an emerging artist, I feel a bit like a butterfly that can't quite get her wings to open. I know people like my artwork, because I sell quite a bit of it, and I have never had anything returned, which seems like a miracle to me. However, people can only buy what they see, and to see something, they have to be at a certain place and at a given time. Like real estate, it is all about location, location, location.

To gain a better location, and more exposure, I moved my studio to a better location at the Mill. I do a lot of inexpensive marketing - cards, brochures, signs for shows at my studio, even refrigerator magnets and bookmarks (which at a big hit!). I recently placed some prints in a local frame shop, and have already seen some action. Sales pros say it takes 5-7 "impressions" for people to buy. I think it varies greatly. I have had people literally rip things off the wall to purchase, while others come back several times before they pull the trigger.

Still, it is a big world, with lots of places to spend money, and thousands of artists vying for a piece of the pie. I think exposure is critical to success - shows, open studios, parties, art leagues, charity events,"pity paintings" - the list of exposure opportunities is endless. And while moving paintings all over the place to gain exposure is, at times, a nuisance, eventually, people will know who you are.

While I don't intentionally use gimmicks, I have inadvertently used them. I dyed my graying hair red, with blonde highlights, and subsequently, people remember me, especially if it comes out a bit magenta! I use lots of texture when I paint, and intense color. I am locally known for my unusual color choices (which don't seem so unusual to me). If I produce a work that is not wild with color, people are concerned. (I have been asked if I was depressed when I painted a painting in "normal" colors! I attached the painting, which is pretty tame, compared to what I normally do.)

The biggest barriers to exposure that I face, is not having gallery representation (which I admittedly, I have not sought out), and that I cannot keep my studio open every weekend and holidays for visitors to the Mill. Having said that, my short hours keep me sane, and not having to "produce" for a gallery frees me up to really experiment and have fun.

I like exposure in small doses. And I am very patient. I know someday, my wings will open, and I will take flight. It is only a matter of time.
Artfully yours,

Cathy Harville

www.harvilleart.com

Immersion

As a painter, I have experienced immersion in many ways:

- I am startled when someone walks into my studio unexpectedly;

- I often forget to eat lunch, or to eat at all;

- I make coffee, and forget to drink it;

- I constantly lose track of time, despite the very accurate "Whatever" clock I have beside me (all the numbers are falling off, so I really never know what time it is);

- I realize I was supposed to meet someone, and forgot;

- After a while, I realize I have been cleaning my brush in my coffee;

- My phone rings, and I am immediately annoyed;

- and, I put off bathroom breaks until the very last minute! (Just let me finish this one area!) Come on, I know you have done that, too!

I also experience immersion while I am kayaking - no, not in the water, but in the act of observing nature. I will often sit, and listen to the wind rustling the trees and grasses. I hear the beating of a swan's wings as it screams at my approach. I watch the reflections in the water change like liquid mercury. I watch the schools of minnows move across the surface of the water, as a bigger fish is hunting them, no doubt. If the light is right, I take some photos. (It is too hard to paint in my kayak!) And, I forget all about everything, except the moment I am in.

This nature immersion serves me well in the studio. I can easily recall the smell of the water, and the taste of the air. I can recall the light shifting, and reflections gleaming. And although I have my pitiful reference photos to work from, it is the immersion I experienced on the water that helps me to capture the essence of the scene I am painting.

Thank goodness for immersion. Like yoga, it is an opportunity to escape, and just be.

Namaste,

Cathy Harville

Observation

I often sit in my kayak for hours, just watching the grasses, water and trees. I like to feel the sun, the breeze, and watch nature as it moves through the day. Whenever I paint river grasses, and reflections in the murky water, they look nothing like the photograph. In fact, when viewers of my work say that it looks like a photograph, I shudder in silence, and sheepishly say thank you. Then I go to the ladies room to vomit.

But most people say - "I love your colors", and then they keep looking, searching for words to describe what they see. At this point I tell them that I try to capture the "aliveness" of the water and grasses, and how they move and interact. Often they get it. Sometimes not, and they ask, "why is the water purple?". Another session in the ladies room, losing my lunch!

All kidding aside, I love to paint with a reference photo nearby, just in case my brain needs a refresher in real life. Then I go back into "Cathy's world", to paint what my heart sees and feels.I rarely look at the photo while I am painting. And my heart rarely disappoints me!

Artfully yours,
Cathy Harville