Slowing Down

Greetings to all,

My husband and I recently returned from a trip to Peaks island, off the coast of Maine. Ferry boats run about every hour, taking tourists and commuters to this little gem out in Casco Bay.

After just a few hours, I understood why people live on and visit the island. its charm is only surpassed by its beauty. The rock formations, and waves cresting on its ocean shores are a sight to behold. Bikes are a common mode of transportation, and we joined the small groups that were biking around the island. Stopping at several places to take photos, we drank in the sights. (Photos from the trip may be found on my Facebook page.) We also went sailing, in the slowest boat on Peaks Island! But it was relaxing and fun.

Our three day trip seemed like a week, as we read at night - no TV in the cottage. It reminded me to slow down, and enjoy what this life has to offer. I have lots of potential paintings in my photos, and looking at them will be a reminder to slow down. Life doesn't have to be a rat race. We can plod along from time to time, and just enjoy the view.

Artfully yours,

Cathy Harville

Back to Pastels

My muse has been prodding me to start painting in pastels again. So I listened. (I have posted a new pastel painting for your viewing pleasure.) "Topsail Sunset II" reminds me why I love that little island, and why I love to paint.

The economy has not slowed down the making of art among artists. I find this time valuable to build a body of work, as I explore other avenues for my work. In October, I am going to exhibit a body of work called "At Water's Edge". The coastal areas are a favorite theme of mine. I just love how the land and water interact, and how the environment changes the lighting and atmosphere.

I am still struggling with a block. This is the first time I have been blocked in two years. Last time it happened, I ended up in the psychiatric hospital with a severe bipolar episode. The block may have been caused by the mood swing. In this current block, my mood is once again unstable. So I am working on my coping skills, and doing mickey mouse work to stay busy.

I have joined another art league, and have booked a restaurant and coffee shop to show my work in 2011. As I venture out to new venues, I find my muse is pleased, and the dreaded block is occasionally lifting. I just have to wait it out. There is no other way around it!

Artfully yours,

Cathy Harville

Finished or Not

Greetings to all,

Yesterday I posted this painting, titled "Sailing Club", on Facebook. I asked readers to judge whether it was "finished" or not, feeling like I needed to add detail to the foreground water. One brave soul piped up and suggested that the addition of more detail to the water would be exciting. Bravo!

So today, I will take it back to my studio and "finish" it. Finishing a painting is an arbitrary thing. Only the artist knows if a painting is finished or not. Sometimes, as in this case, the artist is not even sure!

Thinking about it, many things in life require finishing. But most of those have a definite end point. You pretty much know when a house is clean, or when the grass is cut. With soem things, as in grass cutting, you can see when you are finished.

Not so with art, and creative endeavors. You can always add a bit here and there. Sometimes, artists try to make their medium do too much. Sometimes, we fall short. Have you ever gone to a movie, and thought it was the end, only to have it go on? Or the opposite - the ending left you wanting more?

Perhaps some things never really get finished. Perhaps that is why artists paint a single scene many times. There is always something new to paint every time you look at a subject with fresh eyes. New focal points or backgrounds appear on the canvas. Sometimes, the color scheme changes dramatically.

The finishing continuum is what makes an action creative. We creatively pick a point to stop, and allow the world to see it. Beauty is in the eye of the beholder indeed.

Artfully yours,

Cathy Harville

Sunset Grasses

Attached is a wild waterscape that I completed recently, titled "Returning". The sun was setting as we returned from a day on the water. The grasses captured the colors of the setting sun, creating a display of color that just amazed me. The painting has a second name, "Grass Sunset".

To paint the tall grasses, I used a plastic pizza cutter. I just rolled the pizza cutter in a pan of paint, so it was coated all the way around. The results were very gratifying!

I often paint with odd things - my fingers, paper towels, and more traditionally, palette knives. Yes, I do use brushes, but I love to paint with my fingers. Clouds are especially easy to paint with my digits!

Sometimes a painting will paint itself - others are like hard labor. The ease of completing a painting really depends on two things - how well I "know" the subject, and how large the painting is. I seem to get stuck on larger paintings, probably because there are more problems to work out. Smaller paintings have less detail, and seem to go more smoothly.

I am working to get my completion rate up from about 30% to nearer to 70%. I think I need to put more thought into the process, and allow my brain to solve problems while I sleep. It always seems to help when I approach a half finished painting after a good night's sleep.

Then, there are gems like "Returning". With the goal clear in my mind, and the pizza cutter trick, this painting almost painted itself! Such gems are rare, and much appreciated.

Artfully yours,

Cathy Harville

www.harvilleart.com

My New Book May be Previewed on Blurb!

Greetings,

My book is now ready on Blurb for previews and purchases! Blurb is a website for self-publishing. I would be interested in what you think, and I welcome all comments, good, bad and ugly! Since this is my first book, there is no doubt lots of room for improvement.

You can buy the book from Blurb - that would be sweet! But if you fund my project, it will enable me to order a large quantity of books at a discount, to distribute as rewards, and sell at cost in my studio. Plus, they would be hand signed by me, with a sentiment of your choice.

Ultimately, I would like to use the funds from the project to work with a real, live publisher, so my book could be offered to a wider audience, and maybe even sold through book stores. It would have an ISBN number, and a SKU! I plan to meet with a local publisher, and discuss details in the next few weeks.

Of course, none of this will be a reality without your support. I want to thank those who are already backing my project. If the Amazon, online method of pledging is too confusing or time consuming for you to make a pledge, please ask me for help, or write me a check - I won't cash it unless I am fully funded. Even a few dollars will greatly help.

And please spread the word by telling all your friends! If 10 people each told 10 people, that would be 90 new, potential backers. And if half of them donated only $10, that would put me much closer to my goal.

When Land Meets the Sea by A collection of paintings and stories by Cathy Harville |BOOK INFO

Click on the link above to see my book on Blurb!

In life, we all get back far more than we give out. As my mom alway says, what goes around, comes around. If we all help each other, we can accomplish great things.

Thank you, and cheers,

Cathy Harville

Immersion

As a painter, I have experienced immersion in many ways:

- I am startled when someone walks into my studio unexpectedly;

- I often forget to eat lunch, or to eat at all;

- I make coffee, and forget to drink it;

- I constantly lose track of time, despite the very accurate "Whatever" clock I have beside me (all the numbers are falling off, so I really never know what time it is);

- I realize I was supposed to meet someone, and forgot;

- After a while, I realize I have been cleaning my brush in my coffee;

- My phone rings, and I am immediately annoyed;

- and, I put off bathroom breaks until the very last minute! (Just let me finish this one area!) Come on, I know you have done that, too!

I also experience immersion while I am kayaking - no, not in the water, but in the act of observing nature. I will often sit, and listen to the wind rustling the trees and grasses. I hear the beating of a swan's wings as it screams at my approach. I watch the reflections in the water change like liquid mercury. I watch the schools of minnows move across the surface of the water, as a bigger fish is hunting them, no doubt. If the light is right, I take some photos. (It is too hard to paint in my kayak!) And, I forget all about everything, except the moment I am in.

This nature immersion serves me well in the studio. I can easily recall the smell of the water, and the taste of the air. I can recall the light shifting, and reflections gleaming. And although I have my pitiful reference photos to work from, it is the immersion I experienced on the water that helps me to capture the essence of the scene I am painting.

Thank goodness for immersion. Like yoga, it is an opportunity to escape, and just be.

Namaste,

Cathy Harville

To Draw or not to Draw?

Below is a response I sent to Robert Genn, author of "Painters Keys" and "Love Letters to Art". He recently published a letter on drawing, and I thought I would share my response with you.

Greetings Robert,

I hope you are happy that I agree with you about drawing. (LOL) I love to sketch very loosely, more like a controlled doodling, but drawing is, well, boring to me. I am not good at it, so I make elaborate grids, and take lots of measurements. By the time I am done, I feel like I have done a math project! And then I have this constrained drawing to fill in, like a paint by number. I painted with watercolor this way for a year, and I always had neck aches. It was far from relaxing.

All kidding aside, I do wish I could draw better. In my own defense, I have had no formal training, so I use that as a lame excuse. But it must be so gratifying to capture something with just a pencil and sketch book in hand. But I also like to focus on producing work that I can show the world. No one, not even my mother, sees my sketch book! I buy beautiful sketch books from time to time, hoping their craftsmanship will inspire me. Instead, they either collect dust, or are given away.

When I paint, I use a pastel pencil to get straight horizons, and to block out large shapes, to get the perspective right. That's it for the pencil. Then I have at it with a brush! I draw the details with a palette knife or rigger, if there are details. They are more fun to use than a pencil or pen, and the effects are much more interesting and unpredictable.

I used to work in pastels, and I used them more like a brush, making marks. I think there are mark makers and drawers. I definitely fall into the mark maker category.

Attached is a beach scene I did, where I drew in the horizon, and fences with a pastel pencil before painting. The fences moved, got painted in and out, until the original drawing is a but a fleeting memory. ("Saving the Dunes", 24"X36" acrylic on canvas by Cathy Harville, c 2009.)

I think I will photograph the progress of a piece, from the initial pastel pencil "drawing" to the finished piece. It would be cool to see how different artists approach the progress of a work, wouldn't it. Could we make this a project among our readers? What fun! we all have to find our own way!

Artfully yours,

Cathy Harville

Being True

Last night, I watched a documentary on Monet, and his role in impressionism. Monet was the primary artist responsible for impressionism, and it changed the art world forever, in a very good way.

Besides the creation of stunning paintings, Monet gave the art world truth. Until he came along, the art world was stagnant and snobbish, with no room for new ideas, or new ways of experiencing art. In fact, Monet was not juried into many shows in Paris, because his work was not considered up to par.

But Monet did not give up. He painted outdoors, and he painted light. He learned that detail is not as important as the impression and light of a fleeting moment. He learned that shadows are not black. He pushed color to create moods. He painted things many times, in different lights, and different weather conditions. He experimented, and continued to paint until he was well into his eighties, with failing eyesight.

With 10 other artists, Monet's work gave art a sorely needed gift - - truth and authenticity in expression. By not conforming to the status quo, he taught the world that all of us see and feel in different ways, and they are all worthy. He taught the art world that without growth, and true human expression, art is but a mechanical craft.

As I look at some of my more outrageous work, I am heartened that I am pursuing my own truth. By honoring my own style, I am honoring my true self. I can always tell when I am honoring my own "impressions" - the work feels right, and it flows.

May you have flow and truth in your work,

Artfully yours,

Cathy Harville

Reflections

I have been painting a lot of water reflections lately. I have been doing a lot of reflecting. Even when the water is still, the reflections of the trees, sky, and grass are never exactly the same as the actual image. Water reflections tend to be less defined, and defy borders and logic.

Painting reflections is a very freeing experience. It doesn't have to be "right". Moods can be created that are tranquil, active, mysterious, or curious, depending on how the reflections are rendered. I often use unusual colors and patterns, to draw attention to the reflections. Minnow schools create "swirlies". Boats create ripples and waves. The sun casts shadows and light. It is all very cool. The reflections are like liquid mercury, always changing and evolving.

Floating in my kayak, I take lots of pictures of micro-environments, usually in the late afternoon light. (I am not much on sunrises, since I like to sleep!) I have been thinking about jumping fish lately, and how to suggest that in the water reflections, without actually rendering the fish.

I am also experimenting with a new method of creating depth and mystery. By using thick, clear medium between paint coats, a really interesting, 3-D effect emerges. While time consuming, and hair-pulling, I am practicing the technique, and will post the first notable effort sometime next week.

I think setting aside time to reflect on life is really necessary in these complicated times. Yoga is a great help. And painting reflections is another.

Artfully yours,

cathy harville