Kickstarter Project Update - "When Land Meets the Sea"

First, I want to thank my generous backers, who give me the hope that my project will be fully funded by the deadline. I appreciate all your generosity, and I am humbled by the outpouring of support. Please continue to spread the word!

I am pleased to let you know that I have finished my book, and it is in the hands of my editor. I hope to have it posted on Blurb by mid-April, a self-publishing website that provides publishing services to authors who cannot pay the big bucks for a publishing house. Even so, self-publishing is costly, so your contributions will help make this project happen!

:When Land Meets the Sea" will be a hard cover book with a dust jacket, and 8"X10" page size. The total page count is 50 pages. Almost every page has at least one image of one of my paintings.

I can't wait to reveal it to the world!

Artfully yours,

Cathy Harville

"Autumn's Last Gifts", 10"x16" watercolor on paper, private collection c2006

Potholes

After the major snows we had this winter, the roads are full of potholes. It is to be expected, but, nonetheless, they are annoying. It takes a while for crews to fix them, but the road is just never the same again.

Life is full of potholes - all the challenges, irritations, and burdens that come in all shapes and sizes. This past week, I fell into a major pothole. I had a relapse from bipolar disorder, and landed in the hospital. Now grateful to be home, I find myself reflecting on how to fix that pothole - how to better manage my life with this illness.

First, I want to thank everyone that "came to the rescue" as I am struggling with my latest pothole. It is so much appreciated.

Second, I realized that some things had to change in my life. With any mental illness, ordinary, daily issues can turn into huge monsters. Now, instead of panicking, I can step back and figure out what needs adjusting. I am becoming more assertive, and honest, and I am asking for help.

This relapse also made me realize that we live life in the present - not the past or future. By focusing on the present, life gets easier.

I want to thank everyone who provides support and love for me, not only during times of struggle, but also all year long. Sometimes it takes a village to fix a pothole.

On the mend,

Cathy

Update on my Kickstarter Project!

I am in the middle of compiling my art book, my seascapes, and stories about each painting. I am also appealing to Chesapeake Bay enthusiasts, and hope that you, and everyone out there, will back my project. My hope is that more people will become aware of the plight of the Bay, and learn how important it is to keep our shorelines clean, and as nature intended.!

Click on http://kck.st/ar6pen to see my project (yes, the link is shorter now)!

Or click on the image below:

As you can see, while I am well on my way, I need your support. Every little bit helps! Please spread the word!

Artfully yours,

Cathy Harville

Just Launched my Kickstarter Project!

Greetings,

I am pleased to announce I have just launched my Kickerstarter Project!

Please click on the above link to see a video, my profile, my project details, and all the rewards you can get by being a contributor to my project! If I reach my goal, I will self-publish my book! My goal is to create an awareness of how important the shorelines are, where the land and water meet, creating beautiful and complex, yet fragile ecosystems.

Be the first contributor, and receive special recognition! Thanks in advance for your support!

Artfully yours,

Cathy Harville

Time to Kickstart!

Greetings from snow-covered Maryland! While we wait for another dumping of the white stuff, I have some exciting news brewing in my art world!

Through "Artists' Magazine", I discovered www.kickstarter.com. Wow! In one day, I have put together the project of my dreams - at least for today!

I am going to write and self-publish a book of my artwork, that is titled "When Land Meets the Sea". The premise of the book is to expose the environmental importance of our beautiful and sometimes, mysterious coastlines on the thousands of miles of creeks, rivers, bays and ocean on the East coast. I realized recently that my paintings often depict the places where land and water meet. In these paintings, we find tidal pools, river grasses, waves, and all kinds of things going on -schools of minnows, reflections, ripples, sand erosion, birds fishing in tidal pools - and little girls walking down the beach. Really cool stuff, indeed!

The really great thing about Kickstarter is that it helps artists obtain funds from interested patrons, in exchange for rewards, including interactions with the project. I haven't launched my project yet - there is still time needed for stewing and brewing, and editing. But it will be launched in the next few days, and my blog will be instrumental in getting the word out.

My book will be brimming with my artwork, with stories of each piece, and how each piece contributes to the theme of land meeting the sea. Sometimes the meetings are quiet and peaceful; and sometimes the encounters are wild and loud!

So, as I recover from a nasty fall on the ice from the previous blizzard, and time waiting for the next wave of snow, I have the precious gift of time - time to think, contemplate, and pause - time to consider all the really amazing experiences I have had where the land meets the sea.

Any ideas? I am as open as my book to come. I hope the coming months present us all with our own version of Kickstarter. For the time being, I am so excited, and full of happy anticipation!

Cheers,

Cathy Harville

Exposure

As an emerging artist, I feel a bit like a butterfly that can't quite get her wings to open. I know people like my artwork, because I sell quite a bit of it, and I have never had anything returned, which seems like a miracle to me. However, people can only buy what they see, and to see something, they have to be at a certain place and at a given time. Like real estate, it is all about location, location, location.

To gain a better location, and more exposure, I moved my studio to a better location at the Mill. I do a lot of inexpensive marketing - cards, brochures, signs for shows at my studio, even refrigerator magnets and bookmarks (which at a big hit!). I recently placed some prints in a local frame shop, and have already seen some action. Sales pros say it takes 5-7 "impressions" for people to buy. I think it varies greatly. I have had people literally rip things off the wall to purchase, while others come back several times before they pull the trigger.

Still, it is a big world, with lots of places to spend money, and thousands of artists vying for a piece of the pie. I think exposure is critical to success - shows, open studios, parties, art leagues, charity events,"pity paintings" - the list of exposure opportunities is endless. And while moving paintings all over the place to gain exposure is, at times, a nuisance, eventually, people will know who you are.

While I don't intentionally use gimmicks, I have inadvertently used them. I dyed my graying hair red, with blonde highlights, and subsequently, people remember me, especially if it comes out a bit magenta! I use lots of texture when I paint, and intense color. I am locally known for my unusual color choices (which don't seem so unusual to me). If I produce a work that is not wild with color, people are concerned. (I have been asked if I was depressed when I painted a painting in "normal" colors! I attached the painting, which is pretty tame, compared to what I normally do.)

The biggest barriers to exposure that I face, is not having gallery representation (which I admittedly, I have not sought out), and that I cannot keep my studio open every weekend and holidays for visitors to the Mill. Having said that, my short hours keep me sane, and not having to "produce" for a gallery frees me up to really experiment and have fun.

I like exposure in small doses. And I am very patient. I know someday, my wings will open, and I will take flight. It is only a matter of time.
Artfully yours,

Cathy Harville

www.harvilleart.com

Immersion

As a painter, I have experienced immersion in many ways:

- I am startled when someone walks into my studio unexpectedly;

- I often forget to eat lunch, or to eat at all;

- I make coffee, and forget to drink it;

- I constantly lose track of time, despite the very accurate "Whatever" clock I have beside me (all the numbers are falling off, so I really never know what time it is);

- I realize I was supposed to meet someone, and forgot;

- After a while, I realize I have been cleaning my brush in my coffee;

- My phone rings, and I am immediately annoyed;

- and, I put off bathroom breaks until the very last minute! (Just let me finish this one area!) Come on, I know you have done that, too!

I also experience immersion while I am kayaking - no, not in the water, but in the act of observing nature. I will often sit, and listen to the wind rustling the trees and grasses. I hear the beating of a swan's wings as it screams at my approach. I watch the reflections in the water change like liquid mercury. I watch the schools of minnows move across the surface of the water, as a bigger fish is hunting them, no doubt. If the light is right, I take some photos. (It is too hard to paint in my kayak!) And, I forget all about everything, except the moment I am in.

This nature immersion serves me well in the studio. I can easily recall the smell of the water, and the taste of the air. I can recall the light shifting, and reflections gleaming. And although I have my pitiful reference photos to work from, it is the immersion I experienced on the water that helps me to capture the essence of the scene I am painting.

Thank goodness for immersion. Like yoga, it is an opportunity to escape, and just be.

Namaste,

Cathy Harville