Below is a response I sent to Robert Genn, author of "Painters Keys" and "Love Letters to Art". He recently published a letter on drawing, and I thought I would share my response with you.
Greetings Robert,
I hope you are happy that I agree with you about drawing. (LOL) I love to sketch very loosely, more like a controlled doodling, but drawing is, well, boring to me. I am not good at it, so I make elaborate grids, and take lots of measurements. By the time I am done, I feel like I have done a math project! And then I have this constrained drawing to fill in, like a paint by number. I painted with watercolor this way for a year, and I always had neck aches. It was far from relaxing.
All kidding aside, I do wish I could draw better. In my own defense, I have had no formal training, so I use that as a lame excuse. But it must be so gratifying to capture something with just a pencil and sketch book in hand. But I also like to focus on producing work that I can show the world. No one, not even my mother, sees my sketch book! I buy beautiful sketch books from time to time, hoping their craftsmanship will inspire me. Instead, they either collect dust, or are given away.
When I paint, I use a pastel pencil to get straight horizons, and to block out large shapes, to get the perspective right. That's it for the pencil. Then I have at it with a brush! I draw the details with a palette knife or rigger, if there are details. They are more fun to use than a pencil or pen, and the effects are much more interesting and unpredictable.
I used to work in pastels, and I used them more like a brush, making marks. I think there are mark makers and drawers. I definitely fall into the mark maker category.
Attached is a beach scene I did, where I drew in the horizon, and fences with a pastel pencil before painting. The fences moved, got painted in and out, until the original drawing is a but a fleeting memory. ("Saving the Dunes", 24"X36" acrylic on canvas by Cathy Harville, c 2009.)
I think I will photograph the progress of a piece, from the initial pastel pencil "drawing" to the finished piece. It would be cool to see how different artists approach the progress of a work, wouldn't it. Could we make this a project among our readers? What fun! we all have to find our own way!
Artfully yours,
Cathy Harville
