Like every artist, I have experienced painter's block. I seldom have any problem with subject matter, and reference material. In my leisure time, I take lots of reference photos, and sometimes get to paint on site.
Since my blocks usually happen before I put the brush to the canvas, I simply put the brush to the canvas. Then it gets easy - until I hit a point where the composition isn't working, or the paint is so thick, that covering it creates confusion. The decision to abort is easy, as acrylics can be covered with a luscious layer of gesso. Sometimes it takes three or more attempts to nail it. Sometimes, I just can't nail it, and i move on. And maybe someday, I will go back to the blasted thing I just can't seem to paint, with more tools in my box.
Inherent in blocks is little voice of failure, looming in the background. I don't listen to those negative little voices. The voice that wants to have fun, experiment, and play is the only voice I listen to while painting.
I recently experimented with some new layering techniques, using gels and mediums, and gluing acrylic pieces to the canvas. Everything was going great - until I stepped in the wet creation. Instead of crying over spilled milk, I used it as a learning experience, and ended up fixing it. While I was reviving the gooey mess, I did another piece, and made sure I didn't set it on the floor! And it turned out pretty cool! I have plans for two more pieces, using different backgrounds and techniques. I guess the moral of the story was that I could have given up with a shoe full of goo, or I could move on to create something even better.
And rest is important. Nothing good comes out when I am tired. I save those times for non-creative chores - or a good nap!
Artfully yours,
Cathy Harville
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